Domenichino
1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
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Domenichino Adam and Eve sfw oil painting


Adam and Eve sfw
1623-25 Oil on canvas Mus??e des Beaux-Arts, Grenoble
Painting ID::  6417 		Domenichino
Adam and Eve sfw
1623-25 Oil on canvas Mus??e des Beaux-Arts, Grenoble
   
   
     
Domenichino Portrait of Cardinal Agucchi sw oil painting


Portrait of Cardinal Agucchi sw
1605 Oil on canvas Galleria degli Uffizi, Florence
Painting ID::  6418 		Domenichino
Portrait of Cardinal Agucchi sw
1605 Oil on canvas Galleria degli Uffizi, Florence
   
   
     
Domenichino St Cecilia dsw oil painting


St Cecilia dsw
1617-18 Oil on canvas Mus??e du Louvre, Paris
Painting ID::  6419 		Domenichino
St Cecilia dsw
1617-18 Oil on canvas Mus??e du Louvre, Paris
   
   
     
Domenichino Diana and her Nymphs d oil painting


Diana and her Nymphs d
1616-17 Oil on canvas, 225 x 320 cm Galleria Borghese, Rome
Painting ID::  6420 		Domenichino
Diana and her Nymphs d
1616-17 Oil on canvas, 225 x 320 cm Galleria Borghese, Rome
   
   
     
Domenichino Landscape with Ford dg oil painting


Landscape with Ford dg
c. 1603 Oil on canvas, 47 x 59,5 cm Galleria Doria-Pamphili, Rome
Painting ID::  6421 		Domenichino
Landscape with Ford dg
c. 1603 Oil on canvas, 47 x 59,5 cm Galleria Doria-Pamphili, Rome
   
   
     
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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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